Humanities/Social Sciences Class Descriptions

From freedoms to federalism and enfranchisement to empowerment, students will engage with American Government from a unique, thoughtful perspective. This course is facilitated by college professor Dr. Albert Thompson, a historian of the state, culture, and conflict who was homeschooled through high school. He uses an engaging storytelling style to encourage high school students to use "historical data to advance solutions to contemporary problems."

Second semester, the class will consider how the US Government works today and what aspects of the Founders' vision remains intact. Students will cover how the American Government System evolved into its present 21st century form, through an examination of the Jacksonian, Civil War, Progressive, New Deal, and Great Society eras. The class will learn about the conflicts that arose between the states and the federal government as federal power increased. They will explore the rivalries and disputes between elected leaders and bureaucrats as the Administrative State rose to power the 20th century.

This semester covers the period in American Government from 1804-present with a focus on 1890 and beyond, including the evolution of the Constitution through the amendments, the shifting balance among the three branches, the impact of Supreme Court decisions, and the growth of Federalism.

Topics in this Series: Setting Up the Great Republic (Semester 1) and How the Republic Works Today (Semester 2). Students continuing from first semester receive priority pre-registration for second semester.

Prerequisites: None

Workload: Students should expect to spend 1-2 hours per week on readings. Readings should be treated as pre-readings which students complete before class in order to engage in in-class discussion.

Assignments: Reading assignments will be communicated weekly to students by email. This class will not have written assignments or projects.

Assessments: The instructor will not give quizzes or provide assessments. Parents may give the textbook Review Questions and/or Critical Thinking Questions that are available for each unit for purposes of assessing their own student's understanding of major themes. The instructor will provide the answer keys.

Textbook/Materials: The class will use American Government, , 3rd edition, a free, online open-source textbook from OpenStax. OpenStax is a nonprofit educational initiative based at Rice University. Contributing authors come from a variety of universities. Students may read the book online, download a Kindle version, download a pdf, or order an print copy from Amazon (ISBN-13: 978-1711493954 for $41.00).

From John Locke and Jamestown to conflict, crisis, then Constitution, students will engage with American Government from a unique, thoughtful perspective. This course is facilitated by college professor Dr. Albert Thompson, a historian of the state, culture, and conflict who was homeschooled through high school. He uses an engaging storytelling style to encourage high school students to use "historical data to advance solutions to contemporary problems."

First semester, the class will examine the founders and the establishment of a constitutional government in America. Students will consider the influence of Medieval English and British Protestant legal history in American thought. They will learn about the legacy of the wars throughout the British Empire, including the War for American Independence, on the development of the state governments and the federal system. This class will cover the Founding Fathers' vision and their framing of the US Constitution, including the economic influences.

This semester covers the period in American Government from 1607-1804 with a focus on 1764-1804, including an examination of primary sources such as the Articles of Confederation, Declaration of Independence, Federalist Papers, The Constitution of the United States, and the Bill of Rights.

Topics in this Series: Setting Up the Great Republic (Semester 1) and How the Republic Works Today (Semester 2). Students continuing from first semester receive priority pre-registration for second semester.

Prerequisites: None

Workload: Students should expect to spend 1-2 hours per week on readings. Readings should be treated as pre-readings which students complete before class in order to engage in in-class discussion.

Assignments: Reading assignments will be communicated weekly to students by email. This class will not have written assignments or projects.

Assessments: The instructor will not give quizzes or provide assessments. Parents may give the textbook Review Questions and/or Critical Thinking Questions that are available for each unit for purposes of assessing their own student's understanding of major themes. The instructor will provide the answer keys.

Textbook/Materials: The class will use American Government, , 3rd edition, a free, online open-source textbook from OpenStax. OpenStax is a nonprofit educational initiative based at Rice University. Contributing authors come from a variety of universities. Students may read the book online, download a Kindle version, download a pdf, or order an print copy from Amazon (ISBN-13: 978-1711493954 for $41.00).
https://openstax.org/details/books/american-government-3e

What to Bring: Paper or notebook; pen or pencil; assigned chapter.

Credit: Homeschool families may wish to count this course as a component (partial) credit in American Government or Civics for purposes of a high school transcript.

In this class, students will engage with American History from a unique, thoughtful perspective, facilitated by college professor, Dr. Albert Thompson who is a "researcher, problem solver, and educator." Dr. Thompson is considered a historian of the state, culture, and conflict. He was homeschooled through high school and will guide high school students to use "historical data to advance solutions to contemporary problems."

Second semester will cover American History from 1812 through the Civil War and concluding with the Spanish-American War in 1898. The class will examine 19th-century America's transformation from a New World backwater to Global Power. Using speeches, pamphlets, legislation, court rulings, and treaties, the students will develop critical reading skills to identify and evaluate the social, economic, and political forces that contributed to the rise of the United States of America from approximately 1812-1898. The course will highlight the following key events and figures: Andrew Jackson, Catharine Maria Sedgwick, Harriet Beecher Stowe, Susan B. Anthony, Harriet Tubman, Ida B Wells, Nathaniel Hawthorne, Abraham Lincoln, Edgar Allen Poe, Frederick Douglass, John D. Rockefeller; Westward Expansion, the Indian Wars, The Civil Wars, and Abolitionism, the Second Great Awakening, Industrialization, The New Immigrants, Reconstruction, Social Darwinism, New Imperialism and the Spanish American War.

The class will uncover history that is often overlooked or downplayed. Professor Thompson encourages students to think deeply about history by introducing individuals and groups in a way that lets students put themselves in others' places. He covers the worldviews that were dominant at the time as a way to explain what motivated historical figures and decisions of the day. Conflicts will be closely examined since throughout history, war is a catalyst that causes economic and social conditions to change dramatically in the shortest period of time.

Topics in this Series: First Settlement to First Crisis, 1607-1812 (Semester 1), Civil War to Spanish-American War 1812-1898 (Semester 2). Students continuing from first semester receive priority pre-registration for second semester.

Prerequisites: Reading at grade level.

Workload: Students should expect to spend 1-2 hours per week on readings. Readings should be treated as pre-readings which students complete before class in order to engage in in-class discussion.

Assignments: Reading assignments will be communicated weekly to students. This class will not have written assignments or projects.

Assessments: The instructor will not give quizzes or provide assessments. Parents may elect to administer online quizzes that are available through the e-textbook website for purposes of assessment their own student's understanding of major themes.

Textbook/Materials: The class will use The American Yawp, and open-source online textbook from Stanford University Press (www.americanyawp.com). Students may read chapters online or download a pdf.

What to Bring: Paper or notebook; pen or pencil; assigned chapter.

Credit: Homeschool families may wish to count this course as a component (partial) credit in American history for purposes of a high school transcript.

In this class, students will engage with American History from a unique, thoughtful perspective, facilitated by college professor Dr. Albert Thompson who is a "researcher, problem solver, and educator." Dr. Thompson is considered a historian of the state, culture, and conflict. He was homeschooled through high school and will guide high school students to use "historical data to advance solutions to contemporary problems."

First semester will cover American History I from 1607 through the start of the War of 1812. The class will uncover history that is often overlooked or downplayed, such as the Inter-Colonial Wars as a precursor to the American Revolution. Professor Thompson encourages students to think deeply about history by introducing individuals and groups in a way that lets students put themselves in others' places. He covers the worldviews that were dominant at the time as a way to explain what motivated historical figures and decisions of the day. Conflicts will be closely examined since throughout history, war is always a catalyst that causes economic and social conditions to change dramatically in the shortest period of time. Major themes that will be covered this semester include Indigenous America, Colliding Cultures, British North America, Colonial Society, the American Revolution, a New Nation, and the Early Republic.

Topics in this Series: First Settlement to First Crisis, 1607-1812 (Semester 1), Civil War to Reconstruction, 1812-1890 (Semester 2). Students continuing from first semester receive priority pre-registration for second semester.

Prerequisites: None

Workload: Students should expect to spend 1-2 hours per week on readings. Readings should be treated as pre-readings which students complete before class in order to engage in in-class discussion.

Assignments: Reading assignments will be communicated weekly to students. This class will not have written assignments or projects.

Assessments: The instructor will not give quizzes or provide assessments. Parents may elect to administer online quizzes that are available through the e-textbook website for purposes of assessment their own student's understanding of major themes.

Textbook/Materials: The class will use The American Yawp, and open-source online textbook from Stanford University Press (www.americanyawp.com). Students may read chapters online or download a pdf.

What to Bring: Paper or notebook; pen or pencil; assigned chapter.

Credit: Homeschool families may wish to count this course as a component (partial) credit in American history for purposes of a high school transcript.

Are you interested in learning a new language that is used right here in America? Are you intrigued by a modern language that has no written form? Do you want to find out why American Sign Language is much more closely linked to French Sign Language than British Sign Language? If so, American Sign Language (ASL) is a great language for you! In this class, students will learn the basic skills in production and comprehension of ASL while covering thematic units such as personal and family life, school, social life, and community. Each unit will include presentations and readings on Deaf culture and Deaf history. Students will learn fingerspelling and numbers, developing conversational ability, culturally appropriate behaviors, and fundamental ASL grammar. Class time will be dedicated to interactive ASL activities and face-to-face signing practice with the instructor and partners.

ASL students will have a Deaf instructor. She regularly teaches all-hearing classes and is an excellent role model for students to meet and interact with a native speaker of ASL and to lean natural facial expressions, gestures, and body language used in Deaf communications. ASL students will have more confidence when they encounter Deaf instructors in college or greet speakers of ASL in social settings. Because the instructor is Deaf, students are not permitted to speak aloud in class. This approach improves visual attention and encourages immersion in the language. Students will be able to ask questions of the instructor by writing on individual white boards, but they will be encouraged to sign in order to communicate with the instructor. Lessons are facilitated with Power Point presentations, and a professional ASL interpreter will assist the class on the first day of class. Enrolled students are not expected to know any sign language prior to beginning ASL I.

Hundreds of colleges and universities, including all public institutions of higher learning in Virginia, accept ASL as a distinct foreign language. This allows hearing and Deaf students to fulfill foreign language requirements for admission to college. Teens who have difficulty writing, spelling, or have challenging pronunciation in English, can be successful with ASL as a second or foreign language choice. Penn State University research demonstrated that the visual and kinesthetic elements of ASL helped to enhance the vocabulary, spelling, and reading skills in hearing students.

Workload: Students should expect to spend 2-3 hours each week outside of class on required vocabulary exercises, readings, and signing practice.

Assignments: Homework assignments will be posted online in the Canvas digital classroom platform. There may be some brief written assignments, but for most homework assignments, students will be asked to post short videos of themselves signing. Students will need either a camera phone or webcam to complete these assignments.

Assessments: The instructor will assign points using a class rubric for the parent's use in assigning a course grade. Course rubrics will evaluate students on their sign production, fingerspelling, ASL grammar, facial expressions including "above the nose" grammar (brows and body movement), and "below the nose" modifiers (lip expressions).

Textbook/Supply Fee: There is a supply fee of $50.00 payable to Compass for the digital access code for the interactive e-textbook, TRUE+WAY ASL. With their subscription, students may also accces a free searchable, bilingual ASL & English dictionary, called What's the Sign?

Credit: Homeschool families may wish to count this course as a full credit in World Languages for purposes of a high school transcript.

Students of ASL will continue to improve their fluency in this 2nd year course. As students become more advanced signers, emphasis will be on focusing on the meaning of a conversation (whole) rather than individual signs (parts). In conversation, students will learn to confirm information by asking questions in context. Second year students will continue to build their vocabulary, apply ASL grammar, and will learn to make requests, ask for advice, give opinions, make comparisons and use superlatives, and narrate stories. Other skills covered in ASL II include expressing year, phone numbers, time, and currency in numbers, appearance, clothing, giving directions, locations, etc. Each unit will include presentations and readings on Deaf culture and Deaf history. Class time will be dedicated to interactive ASL activities and signing practice.

ASL students will have a Deaf instructor. She regularly teaches all-hearing classes and is an excellent role model for students to meet and interact with a native speaker of ASL and to lean natural facial expressions, gestures, and body language used in Deaf communications. ASL students will have more confidence when they encounter Deaf instructors in college or greet speakers of ASL in social settings. Because the instructor is Deaf, students are not permitted to speak aloud in class. This approach improves visual attention and encourages immersion in the language. Students will be able to ask questions of the instructor by writing on individual white boards, but they will be encouraged to sign in order to communicate with the instructor. Lessons are facilitated with Power Point presentations, and a professional ASL interpreter will assist the class on the first day of class.

Hundreds of colleges and universities, including all public institutions of higher learning in Virginia, accept ASL as a distinct foreign language. This allows hearing and Deaf students to fulfill foreign language requirements for admission to college. Teens who have difficulty writing, spelling, or have challenging pronunciation in English, can be successful with ASL as a second or foreign language choice. Penn State University research demonstrated that the visual and kinesthetic elements of ASL helped to enhance the vocabulary, spelling, and reading skills in hearing students.

Workload: Students should expect to spend 2-3 hours each week outside of class on required vocabulary exercises, readings, and signing practice.

Assignments: Homework assignments will be posted online in the Canvas digital classroom platform. Through Canvas, students will be asked to post short videos of themselves signing as homework. Enrolled students will be asked to review ASL 1 vocabulary, grammar, and facial expressions.

Assessments: The instructor will assign points using a class rubric for the parent's use in assigning a course grade. Course rubrics will evaluate students on their sign production, fingerspelling, ASL grammar, facial expressions including "above the nose" grammar (brows and body movement), and "below the nose" modifiers (lip expressions).

Textbook/Supply Fee: There is a supply fee of $50.00 payable to Compass for the digital access code for the interactive e-textbook, TRUE+WAY ASL. With their subscription, students may also accces a free searchable, bilingual ASL & English dictionary, called What's the Sign?

Credit: Homeschool families may wish to count this course as a full credit in World Languages for purposes of a high school transcript.

Students of ASL will continue to improve their fluency in this 3rd year course. As students become more advanced signers, emphasis will be on focusing on the meaning of a conversation (whole) and storytelling rather than individual signs (parts) or phrases. In conversation, students will learn to confirm information by asking questions in context. Third year students will continue to build their vocabulary, apply ASL grammar, and will learn to describe places, giving directions, giving opinions about others, discussing plans and goals, ask for advice, give opinions, make comparisons and use superlatives, and narrate stories. Other skills covered in ASL III include expressing year, phone numbers, time, and currency in numbers, giving directions, locations, etc. Each unit will include presentations and readings on Deaf culture and Deaf history. Class time will be dedicated to interactive ASL activities and signing practice.

ASL students will have a Deaf instructor. She regularly teaches all-hearing classes and is an excellent role model for students to meet and interact with a native speaker of ASL and to lean natural facial expressions, gestures, and body language used in Deaf communications. ASL students will have more confidence when they encounter Deaf instructors in college or greet speakers of ASL in social settings. Because the instructor is Deaf, students are not permitted to speak aloud in class. This approach improves visual attention and encourages immersion in the language. Students will be able to ask questions of the instructor by writing on individual white boards, but they will be encouraged to sign in order to communicate with the instructor. Lessons are facilitated with Power Point presentations, and a professional ASL interpreter will assist the class on the first day of class.

Hundreds of colleges and universities, including all public institutions of higher learning in Virginia, accept ASL as a distinct foreign language. This allows hearing and Deaf students to fulfill foreign language requirements for admission to college. Teens who have difficulty writing, spelling, or have challenging pronunciation in English, can be successful with ASL as a second or foreign language choice. Penn State University research demonstrated that the visual and kinesthetic elements of ASL helped to enhance the vocabulary, spelling, and reading skills in hearing students.

Prerequisite: ASL II students who wish to enroll in ASL III must pass a proficiency exam and receive instructor approval.

Workload: Students should expect to spend 2-3 hours each week outside of class on required vocabulary exercises, readings, and signing practice.

Assignments: Homework assignments will be posted online in the Canvas digital classroom platform. Through Canvas, students will be asked to post short videos of themselves signing as homework. Enrolled students will be asked to review ASL 1 and 2 vocabulary, grammar, and facial expressions.

Assessments: The instructor will assign points using a class rubric for the parent's use in assigning a course grade. Course rubrics will evaluate students on their sign production, fingerspelling, ASL grammar, facial expressions including "above the nose" grammar (brows and body movement), and "below the nose" modifiers (lip expressions).

Textbook/Supply Fee: There is a supply fee of $50.00 payable to Compass for the digital access code for the interactive e-textbook, TRUE+WAY ASL. With their subscription, students may also accces a free searchable, bilingual ASL & English dictionary, called What's the Sign?

Credit: Homeschool families may wish to count this course as a full credit in World Languages for purposes of a high school transcript.

This class will explore the judicial processes of Europe following the collapse of Rome. From witch trials and Viking blood feuds, then back again to the real barbarians- lawyers! Like a traditional mock trial program, the class will hear cases, and students will defend themselves. Real historical cases will be studied, and trial parts assigned to the class, which will be debated from the perspective of Royal Courts, Church Ordeals, or a Viking assembly they creatively called "a Thing." The class will serve as the jury and, if necessary, select period-appropriate verdicts and explain how they arrived at their decisions, while striving for period accuracy. Second semester will move to codified Renaissance legal systems, leading up to the direct Ancestor to American legal traditions, Common Law.

Topics in this Series: Crime & Punishment in Medieval Times (Semester 1), Crime & Punishment in the Early Modern Era (Semester 2).

Workload: Students should expect to spend 0-1 hours per week outside of class.

Assignments: Period maps, photographs, and re-creations will be posted on a class Google Drive, and video links from YouTube will be e-mailed to parents and students for homework or supplemental investigation.

Assessments: A mid-term and final exam may be given.

Textbooks: None. Case documents are provided in class.

Credit: Homeschool families may wish to count this course as a component (partial) credit in History or Civics for purposes of a high school transcript.

This class will explore the judicial processes of mainland Europe and their divergence from English Common Law. Like a traditional mock trial program, the class will hear cases, and students will defend themselves. Real historical cases will be studied, and trial parts assigned to the class, which will be debated from the perspective of Englishmen, from commoners to nobility, and Europeans in both criminal and church courts. The class will serve as the jury and, if necessary, select period-appropriate verdicts and explain how they arrived at their decisions, while striving for period accuracy. This semester will examine the Justice systems of Renaissance Europe up to Colonial Britain.

Topics in this Series: Crime & Punishment in Medieval Times (Semester 1), Crime & Punishment in the Early Modern Era (Semester 2).

Workload: Students should expect to spend 0-1 hours per week outside of class.

Assignments: Period maps, photographs, and re-creations will be posted on a class Google Drive, and video links from YouTube will be e-mailed to parents and students for homework or supplemental investigation.

Assessments: A mid-term and final exam may be given.

Textbooks: None. Case documents are provided in class.

Credit: Homeschool families may wish to count this course as a component (partial) credit in History or Civics for purposes of a high school transcript.

Earn college credit and artistic "cred"-ibility in this studio art class! Over the course of the school year, student artists will experiment with artistic techniques, create original works in a variety of mediums and styles, and build a portfolio for submission. Students will be guided by a Compass art instructor, Pete Van Riper, who is also an adjunct art professor at Northern Virginia Community College and a reviewer for AP art portfolios.

The three goals of AP 2D Art and Design are to (1) investigate a variety of artistic materials, methods, and ideas; (2) produce 2-dimensional art and designs; and (3) be able to describe and present art and design to others. AP Art and Design students "develop and apply skills of inquiry and investigation, practice, experimentation, revision, communication, and reflection."

Student artists will create a portfolio with works that feature the elements of art and principles of design such as "point, line, shape, plane, layer, form, space, texture, color, value, opacity, transparency, time; unity, variety, rhythm, movement, proportion, scale, balance, emphasis, contrast, repetition, figure/ground relationship, connection, juxtaposition, hierarchy." Students will be asked to document their medium choices and keep a sketch book and art journal describing their inspiration and artistic process.

In class, works will be done in charcoal, pencil, conte crayon, watercolor crayons, watercolor paints, acrylic paint, and collage. Like other college level classes, outside work will be expected, and art completed outside of the weekly class meetings can include graphic design, digital imaging, photography, collage, fabric design, weaving, fashion design, fashion illustration, painting, and printmaking, and other 2D formats. Students should consider how to express their ideas with selected materials and processes on a flat surface.

The College Board has no preferred or unacceptable content or style, but all work must be entirely the student's original creation. Submissions may incorporate pre-existing photographs or others' images provided proper attribution and citations are given and the use reflects an extension of the student's vision and not just duplication or copy work. AI generated designs are strictly prohibited from portfolio submissions, but original, digitally created art is welcome.

Students' portfolio submissions for the AP program must include two sections (1) "Sustained Investigation" which includes 15 images of the purposeful evolution of a work or works through concept sketches, practice, experimentation, and revisions, and (2) "Selected Works" which includes images of 5 completed pieces. All portfolio works will be submitted as digital images (scans or photographs) of the student's original pieces, and all images must be accompanied by a written discussion of the materials and processes used.

Earn college credit and artistic "cred"-ibility in this studio art class! Over the course of the school year, student artists will experiment with artistic techniques, create original works in a variety of mediums and styles, and build a portfolio for submission. Students will be guided by a Compass art instructor, Pete Van Riper, who is also an adjunct art professor at Northern Virginia Community College and a reviewer for AP art portfolios.

The three goals of AP 2D Art and Design are to (1) investigate a variety of artistic materials, methods, and ideas; (2) produce 2-dimensional art and designs; and (3) be able to describe and present art and design to others. AP Art and Design students "develop and apply skills of inquiry and investigation, practice, experimentation, revision, communication, and reflection."

Student artists will create a portfolio with works that feature the elements of art and principles of design such as "point, line, shape, plane, layer, form, space, texture, color, value, opacity, transparency, time; unity, variety, rhythm, movement, proportion, scale, balance, emphasis, contrast, repetition, figure/ground relationship, connection, juxtaposition, hierarchy." Students will be asked to document their medium choices and keep a sketch book and art journal describing their inspiration and artistic process.

In class, works will be done in charcoal, pencil, conte crayon, watercolor crayons, watercolor paints, acrylic paint, and collage. Like other college level classes, outside work will be expected, and art completed outside of the weekly class meetings can include graphic design, digital imaging, photography, collage, fabric design, weaving, fashion design, fashion illustration, painting, and printmaking, and other 2D formats. Students should consider how to express their ideas with selected materials and processes on a flat surface.

The College Board has no preferred or unacceptable content or style, but all work must be entirely the student's original creation. Submissions may incorporate pre-existing photographs or others' images provided proper attribution and citations are given and the use reflects an extension of the student's vision and not just duplication or copy work. AI generated designs are strictly prohibited from portfolio submissions, but original, digitally created art is welcome.

Students' portfolio submissions for the AP program must include two sections (1) "Sustained Investigation" which includes 15 images of the purposeful evolution of a work or works through concept sketches, practice, experimentation, and revisions, and (2) "Selected Works" which includes images of 5 completed pieces. All portfolio works will be submitted as digital images (scans or photographs) of the student's original pieces, and all images must be accompanied by a written discussion of the materials and processes used.

The class will examine images of others' art, and students will be asked to visit at least two art museums or art exhibits. They will practice giving and receiving construction formal and informal critiques through the observation, analysis, discussion, and evaluation of their own work and that of other artists to hone the AP-required skill of communication about 2D art.

Levels This course is only offered at the AP level, but enrollment does not obligate a student to submit a portfolio for AP review.

Workload: Student artists should plan 2-4 hours per week outside of class on their pieces, concept drawings, practice sketches, etc.

Assignments: All assignments will be communicated to students via email.

Assessments: Qualitative feedback will be given weekly in class. The principal assessment in this course is the AP score earned.

Textbooks: The instructor will furnish art and design books for students to browse in class and borrow.

Supply Fee: A supply fee of $60.00 is due payable to the instructor for shared, in-class basics consisting of: pencils, charcoal, conte a Paris, acrylic paints, brushes, sketch journal, and canvas boards. The instructor will furnish a list of recommended supplies for alternative or premium materials that students may want to incorporate use such as watercolor or colored markers.

About AP: "AP" is a trademark of the College Board, which owns and designs the course outline and "audits" (i.e. approves) high school instructors who employ their expertise and creativity to deliver the college freshman-level content. The College Board's summary of the AP 2D Art & Design program can be read HERE, and the instructor AP Course Audit Approval form can be viewed HERE.

AP Fees: The fee for the College Board's AP 2D Art & Design portfolio in May 2025 is not included. Each family is responsible for scheduling and paying for their student's AP registration.

Credit: Homeschool families may wish to count this course as a full credit in Fine Arts for purposes of a high school transcript.

This is a full-credit high school English course taught at the AP level to prepare students for college level reading, analysis, and academic writing. The course features selections from World Literature and will prepare students for the AP Literature and Composition examination. The course will broaden a student's critical reading and textual analysis skills by challenging them to think and write more comprehensively about World Literature.

In this course, students will read and respond in writing to fiction works, non-fiction texts, and poetry. The analytical method will focus on both rhetorical context (subject, purpose and audience) and the six "Big Ideas" of the AP course include: Character, Setting, Structure, Narration, Figurative, Language, and Literary Argumentation. Other objectives from the AP curriculum include reading a text closely and drawing conclusions from details; identifying the techniques used by an author and their effects; developing an interpretation of a text; making an argument for it in writing; and supporting that argument with compelling textural evidence.

Literature: Featured literature will include: Antigone by Sophocles (441- Greece); Othello by William Shakespeare (1603- England); Jane Eyre by Charlotte Bronte (1847- England); The Heart of Darkness by Joseph Conrad (1899-Poland); The Metamorphosis by Franz Kafka (1915-Germany); Things Fall Apart by Chinua Achebe (1958- Nigeria); and The Remains of the Day by Kazuo Ishiguro (1989- Japan). Remains of the Day is summer reading.

Composition: An essential component of this course will analytical writing. Students in this class should have mastered the basics of academic writing, such as constructing a thesis statement that makes an argument and organizing their thoughts through effective topic sentences and transition statements. This class will deepen students' textual analysis skills with a focus on developing rhetorical analysis, the study of how a text makes meaning. Over the course of the year, students will develop familiarity with a variety of writing styles and forms including rhetorical analysis, literary analysis, critical response, and close reading.

Prerequisites: Students taking this class should have taken American Literature at Compass or received permission of the Instructor to enroll at the AP level. Students are expected to take an active role in discussion and complete all writing assignments.

Schedule/Format: There are two weekly meetings: (1) Mondays from 2:00 pm-2:55 pm online in a synchronous virtual classroom and (2) Wednesdays from 2:00 pm- 2:55 pm in person. A physical meeting room will be designated for on-campus students who have classes immediately before or after the virtual session.

Workload: Students should expect to spend 4-6 hours per week outside of class.

Assignments: All assignments will be posted in a Google Classroom management site. Students will need their own gmail accounts to access Google Classroom.

Assessments: Students' written assignments will be evaluated using a rubric and assigned points that the homeschool parent can use when assigning an overall class grade.

About AP: "AP" is a trademark of the College Board, which owns and designs the course outline and "audits" (i.e. approves) high school instructors who employ their expertise and creativity to deliver the college freshman-level content. The College Board's complete AP Literature and Composition program can be read HERE, and the instructor AP Course Audit Approval form can be viewed HERE.

https://apcentral.collegeboard.org/media/pdf/ap-english-literature-and-composition-course-and-exam-description.pdf

AP Fees: The fee for the College Board's AP Literature and Composition exam in May 2025 is not included. Each family is responsible for scheduling and paying for their student's AP exam.

Textbook/Materials: Because students will need clean, inexpensive copies of each novel to mark in, and they must be able to refer to the passages on the same page numbers, copies of mass market paperbacks will be pre-purchased and bundled for students. (See Supply Fee below).

Supply Fee: A class fee of $64.00 is due payable to Compass on the first day of class for the class bundle of novels.

What to Bring: Students should bring the current literature, paper, pen or pencil and highlighter to class each week. Some students may wish to bring paper clips, adhesive flags or post-it notes for marking passages/pages.

Credit: Homeschool families may wish to count this course as a full credit in English for purposes of a high school transcript.

Elementary artists can get in on the action as they learn about a different artist or artistic style and create representative pieces using a wide range of artistic supplies such as tempura and water color paints, pastels, pencils, cray pas, oil pastel crayons, specialty papers, sculpting media, and embellishments.

In this workshop, students will learn about the abstract masters Wassily Kandinsky and Jackson Pollock and create works in their styles using drips and splatters (Pollack) and collage and layered geometric compositions (Kandinsky). There is a $15.00 supply fee due payable to the instructor on or before the start of class.

Elementary artists can get in on the action as they learn about a different artist or artistic style and create representative pieces using a wide range of artistic supplies such as tempura and water color paints, pastels, pencils, cray pas, oil pastel crayons, specialty papers, sculpting media, and embellishments.

In this workshop, the class will voyage to Paris and The Louvre museum. Students will create art inspired by Paris and its artists, mimic masterpieces in the Louvre and create special projects featuring the Eiffel Tower. There is a $15.00 supply fee due payable to the instructor on or before the start of class.

A tsunami threatens Sumatra. A cyclone strikes the Solomon Islands. High tides hit Hilton Head. Sub-zero temps settle over Sugar Land, Texas. Atmospheric and oceanic phenomena are in the news every single day!

Are there any forces on earth more powerful or influential than atmospheric and oceanic sciences? These fields affect almost every aspect of human existence, and understanding them can answer questions from, 'Should I bring an umbrella today?' to 'How deadly will this year's drought be in Dakar?' and 'How will changes in the Gulf Stream affect the migration and mating of Minke Whales?' Atmospheric science is an interdisciplinary field that applies geology, astronomy, physics and chemistry to meteorology, climatology and environmental science.

In this year-long laboratory science course, students will explore the fields of Atmospheric Science first semester and Oceanic Science second semester. Atmospheric Science is the study of the physical and chemical aspects of the atmosphere which can encompass a wide variety of topics such as weather forecasting, climate change, air quality, etc. Key themes in the study of Atmospheric Science include the gas laws (temperature, pressure, volume) and air movement (buoyancy, angular momentum). Students will learn about the spectra of sunlight, reflection and refraction, and evaluate how surfaces respond to sunlight. The class will also learn about the tools of atmospheric science, such as weather instruments, rain gage, anemometer, thermometer, and barometer, and how to read weather maps and forecast hurricane paths.

Oceanography is the study of the physical, chemical, and biological aspects of the ocean. Key themes in oceanography include ocean-land interaction, atmosphere-ocean interactions (such as El Nino and La Nina cycles), wave motion, tidal cycles, currents, and thermohaline circulation. The class will consider water chemistry and the oceanic carbon cycle. Finally, students will learn how we measure and map the ocean and use earth system computer models.

Weekly discussions will be paired with labs. Some lab assignments will take multiple weeks, and some will use computers and a spreadsheet to analyze publicly available data.

Note: This class has a Tuesday, in-person lecture section from 10:00 am - 10:55 am in addition to the Friday lab section from 9:30 am - 10:55 am.

Workload: Students should expect to spend 3-4 hours per week outside of class.

,p>Assignments: All assignments will be posted on password-protected Canvas classroom management site. There, students access assignments, upload homework, take automated quizzes and tests, track grades, and message instructor and classmates.

Assessments: Completed assignments will be assessed points. Parents can calculate a letter grade using the student's points earned divided by points available, in weighted categories that include assignments, labs, quizzes, tests, projects, and presentations. Parents may view all scoring and comments at any time through the Canvas site.

Textbook/Materials: Students should download or purchase Practical Meteorology: An Algebra-based Survey of Atmospheric Science (2018) by Roland Stull (ISBN 978-0888652836). The textbook can be downloaded for free online or purchased for $54.00 online. The textbook for oceanic sciences section will be identified before the start of Semester 2.
https://www.eoas.ubc.ca/books/Practical_Meteorology/
https://www.eoas.ubc.ca/books/Practical_Meteorology/world/print.html

Lab/Supply Fee: A class fee of $100.00 is due payable to the instructor on the first day of class.

What to Bring: Students will need to bring laptop computers to some class sessions for modeling and data analysis labs.

Credit: Homeschool families may wish to count this course as a full credit in laboratory science for purposes of a high school transcript

This is a place-holder for the Atmospheric & Oceanic Sciences lecture. Students should register for the Atmospheric & Oceanic Science Lab, which will automatically enroll them in both class sections.

Dancers will practice skills in musicality, balance, flexibility, and coordination as they learn to dance as a group. Each quarter, a different musical fairytale ballet will provide the inspiration and the music for the class. Dancers will become familiar with the story of the ballet and the orchestral music as they go through their own routine.

Fourth quarter, beginning dancers will learn the story of eccentric nobleman Don Don Quixote, a ballet based on the novel by Miguel de Cervantes and choreographed by Marius Petipa to the music of Ludwig Minkus in 1869. In class, they work to identify, apply, demonstrate, and integrate the following techniques from the Vaganova ballet method such as: 1st-6th positions, marching and skipping, demi plie, grand plie, saute, bourree, grand jete, and tendu, along with pas de chat, pas de bourree, arabesque, arabesque saute, and soutenu. Students will develop their physical conditioning by core leg and arm strength. A demonstration of skills learned will be showcased for parents on the last class each quarter.

Ballet students are expected to wear appropriate attire. Young ladies must wear a leotard with skirt (attached or detached), pink tights, and soft pink ballet shoes in canvas or leather. Young men must wear a slim-fitting white t-shirt, black shorts, white socks, and soft black ballet shoes in canvas or leather.

Topics in this series: The Little Humpbacked Horse (Quarter 1); The Nutcracker (Quarter 2); Swan Lake (Quarter 3); and Don Quixote (Quarter 4).

Dancers will practice skills in musicality, balance, flexibility, and coordination as they learn to dance as a group. Each quarter, a different musical fairytale ballet will provide the inspiration and the music for the class. Dancers will become familiar with the story of the ballet and the orchestral music as they go through their own routine.

Third quarter beginning dancers will learn the story of Swan Lake, a timeless ballet about the princess Odette based on German and Russian folk tales and composed by Pyotr Ilyich Tchaikovsky in 1876. In class, they work to identify, apply, demonstrate, and integrate the following techniques from the Vaganova ballet method such as: 1st-6th positions, marching and skipping, demi plie, grand plie, saute, bourree, grand jete, and tendu, along with pas de chat, pas de bourree, arabesque, arabesque saute, and soutenu. Students will develop their physical conditioning by core leg and arm strength. A demonstration of skills learned will be showcased for parents on the last class each quarter.

Ballet students are expected to wear appropriate attire. Young ladies must wear a leotard with skirt (attached or detached), pink tights, and soft pink ballet shoes in canvas or leather. Young men must wear a slim-fitting white t-shirt, black shorts, white socks, and soft black ballet shoes in canvas or leather.

Topics in this series: The Little Humpbacked Horse (Quarter 1); The Nutcracker (Quarter 2); Swan Lake (Quarter 3); and Don Quixote (Quarter 4).

Dancers will practice skills in musicality, balance, flexibility, and coordination as they learn to dance as a group. Each quarter, a different musical fairytale ballet will provide the inspiration and the music for the class. Dancers will become familiar with the story of the ballet and the orchestral music as they go through their own routine.

First quarter, beginning dancers will learn the story of The Little Humpbacked Horse, also known as the "Tsar-Maiden"; a ballet based on the fairy tale by Pyotr Yershov and choreographed by Arthur Saint-Leon and set to music by Cesare Pugni since 1864.. In class, they work to identify, apply, demonstrate, and integrate the following techniques from the Vaganova ballet method such as: 1st-6th positions, marching and skipping, demi plie, grand plie, saute, bourree, grand jete, and tendu, along with pas de chat, pas de bourree, arabesque, arabesque saute, and soutenu. Students will develop their physical conditioning by core leg and arm strength. A demonstration of skills learned will be showcased for parents on the last class each quarter.

Ballet students are expected to wear appropriate attire. Young ladies must wear a leotard with skirt (attached or detached), pink tights, and soft pink ballet shoes in canvas or leather. Young men must wear a slim-fitting white t-shirt, black shorts, white socks, and soft black ballet shoes in canvas or leather.

Topics in this series: The Little Humpbacked Horse (Quarter 1); The Nutcracker (Quarter 2); Swan Lake (Quarter 3); and Don Quixote (Quarter 4).

Dancers will practice skills in musicality, balance, flexibility, and coordination as they learn to dance as a group. Each quarter, a different musical fairytale ballet will provide the inspiration and the music for the class. Dancers will become familiar with the story of the ballet and the orchestral music as they go through their own routine.

Second quarter, beginning dancers will learn the story of The Nutcracker, composed by Tchaikovsky and performed as a ballet since 1892. In class, they work to identify, apply, demonstrate, and integrate the following techniques from the Vaganova ballet method such as: 1st-6th positions, marching and skipping, demi plie, grand plie, saute, bourree, grand jete, and tendu, along with pas de chat, pas de bourree, arabesque, arabesque saute, and soutenu. Students will develop their physical conditioning by core leg and arm strength. A demonstration of skills learned will be showcased for parents on the last class each quarter.

Ballet students are expected to wear appropriate attire. Young ladies must wear a leotard with skirt (attached or detached), pink tights, and soft pink ballet shoes in canvas or leather. Young men must wear a slim-fitting white t-shirt, black shorts, white socks, and soft black ballet shoes in canvas or leather.

Topics in this series: The Little Humpbacked Horse (Quarter 1); The Nutcracker (Quarter 2); Swan Lake (Quarter 3); and Don Quixote (Quarter 4).

Young dancers will practice skills in musicality, balance, flexibility, and coordination as they learn to dance as a group. Each quarter, a different musical fairytale ballet will provide the inspiration and the music for the class. Dancers will become familiar with the story of the ballet and the orchestral music as they go through their own routine. The music, story, and characters will serve as an inspiration for creative movement.

Fourth quarter, young dancers will learn the story of eccentric nobleman Don Don Quixote, a ballet based on the novel by Miguel de Cervantes and choreographed by Marius Petipa to the music of Ludwig Minkus in 1869. In class, dancers will learn to recognize, understand, and apply techniques from the Vaganova ballet method such as: 1st - 6th positions, marching and skipping, demi plie, grand plie, saute, bourree, grand jete, and tendu. Students will also develop their physical conditioning and learn teamwork. A demonstration of skills learned will be showcased for parents on the last class each quarter.

Ballet students are expected to wear appropriate attire. Young ladies must wear a leotard with skirt (attached or detached), pink tights, and soft pink ballet shoes in canvas or leather. Young men must wear a slim-fitting white t-shirt, black shorts, white socks, and soft black ballet shoes in canvas or leather.

Topics in this series: The Little Humpbacked Horse (Quarter 1); The Nutcracker (Quarter 2); Swan Lake (Quarter 3); and Don Quixote (Quarter 4).

Young dancers will practice skills in musicality, balance, flexibility, and coordination as they learn to dance as a group. Each quarter, a different musical fairytale ballet will provide the inspiration and the music for the class. Dancers will become familiar with the story of the ballet and the orchestral music as they go through their own routine. The music, story, and characters will serve as an inspiration for creative movement.

Third quarter young dancers will learn the story of Swan Lake, a timeless ballet about the princess Odette based on German and Russian folk tales and composed by Pyotr Ilyich Tchaikovsky in 1876. In class, dancers will learn to recognize, understand, and apply techniques from the Vaganova ballet method such as: 1st - 6th positions, marching and skipping, demi plie, grand plie, saute, bourree, grand jete, and tendu. Students will also develop their physical conditioning and learn teamwork. A demonstration of skills learned will be showcased for parents on the last class each quarter.

Ballet students are expected to wear appropriate attire. Young ladies must wear a leotard with skirt (attached or detached), pink tights, and soft pink ballet shoes in canvas or leather. Young men must wear a slim-fitting white t-shirt, black shorts, white socks, and soft black ballet shoes in canvas or leather.

Topics in this series: The Little Humpbacked Horse (Quarter 1); The Nutcracker (Quarter 2); Swan Lake (Quarter 3); and Don Quixote (Quarter 4).

Young dancers will practice skills in musicality, balance, flexibility, and coordination as they learn to dance as a group. Each quarter, a different musical fairytale ballet will provide the inspiration and the music for the class. Dancers will become familiar with the story of the ballet and the orchestral music as they go through their own routine. The music, story, and characters will serve as an inspiration for creative movement.

First quarter, young (beginning) dancers will learn the story of The Little Humpbacked Horse, also known as the "Tsar-Maiden"; a ballet based on the fairy tale by Pyotr Yershov and choreographed by Arthur Saint-Leon and set to music by Cesare Pugni since 1864.In class, dancers will learn to recognize, understand, and apply techniques from the Vaganova ballet method such as: 1st - 6th positions, marching and skipping, demi plie, grand plie, saute, bourree, grand jete, and tendu. Students will also develop their physical conditioning and learn teamwork. A demonstration of skills learned will be showcased for parents on the last class each quarter.

Ballet students are expected to wear appropriate attire. Young ladies must wear a leotard with skirt (attached or detached), pink tights, and soft pink ballet shoes in canvas or leather. Young men must wear a slim-fitting white t-shirt, black shorts, white socks, and soft black ballet shoes in canvas or leather.

Topics in this series: The Little Humpbacked Horse (Quarter 1); The Nutcracker (Quarter 2); Swan Lake (Quarter 3); and Don Quixote (Quarter 4).

Young dancers will practice skills in musicality, balance, flexibility, and coordination as they learn to dance as a group. Each quarter, a different musical fairytale ballet will provide the inspiration and the music for the class. Dancers will become familiar with the story of the ballet and the orchestral music as they go through their own routine. The music, story, and characters will serve as an inspiration for creative movement.

Second quarter, young dancers will learn the story of The Nutcracker, composed by Tchaikovsky and performed as a ballet since 1892. In class, dancers will learn to recognize, understand, and apply techniques from the Vaganova ballet method such as: 1st - 6th positions, marching and skipping, demi plie, grand plie, saute, bourree, grand jete, and tendu. Students will also develop their physical conditioning and learn teamwork. A demonstration of skills learned will be showcased for parents on the last class each quarter.

Ballet students are expected to wear appropriate attire. Young ladies must wear a leotard with skirt (attached or detached), pink tights, and soft pink ballet shoes in canvas or leather. Young men must wear a slim-fitting white t-shirt, black shorts, white socks, and soft black ballet shoes in canvas or leather.

Topics in this series: The Little Humpbacked Horse (Quarter 1); The Nutcracker (Quarter 2); Swan Lake (Quarter 3); and Don Quixote (Quarter 4).

Vicksburg was the last Confederate stronghold on the Mississippi River. Its capture cut the Confederacy in two and, in combination with the other major Union victory at Gettysburg the day before, destroyed any chance of the Confederacy achieving its war goals. Unlike Gettysburg, which lasted a few days in July, the Siege of Vicksburg lasted more than two months, from May to July. The slow, grinding attritional warfare there foreshadowed the conditions of the First World War more than the US Civil War, featuring trench lines, massive amounts of heavy modern guns, mines, and naval support. The capture of Vicksburg allowed the Union to start its all-out offensives through the Confederate heartland, and ultimately bring the war to a close, as each part of the Confederacy was systematically isolated and destroyed. This was the ultimate end of the Anaconda Plan of 1861 after the disasters at Manassas and Fredericksburg meant no quick end to the fighting.

Using artistic model-making techniques, hand tools, and historical maps, students will each form a 10" X 14" shaped, foam diorama with landscape elements (hills, valleys, rivers, ridges, vegetation, airfields, etc) to represent a scene of a famous historical engagement. Students will each receive 1:72 scale miniature soldiers to populate their scene. Once individual projects are constructed, students will combine their dioramas alongside those of their classmates to create larger scenes. Students will spend the remainder of the quarter learning about the tactics and outcomes of the military engagement while playing a table-top strategy game. Student strategists will use a simplified version of the Fire and Fury gaming rule system for moving troops and equipment.

The instructor will use maps and visual presentations to explain the historical background and circumstances leading up to the specific conflict. Course documents, such as period maps, game rules and all other instructional media will be available via a Google Drive link which will be emailed to parents. There is a $25.00 materials fee payable to the instructor on the first day of class.

This is a 4-day workshop.

Castles were the ultimate expression of Medieval political power. From there, the noble few could rule the peasant masses, sending out elite knights to exert their will on the countryside, collecting taxes and making war. The designs of castles varied from simple wooden forts and towers to devilishly complicated stone monoliths with layers of defenses, all to allow few to contend with many. It was usually so monumentally dangerous and ineffective to attack these fortresses head on, that the preferred methods of subduing them were either treachery or starvation. But for those opponents who could muster huge armies, amass proper siege equipment, and employ tactics, the successful storming of a castle could be the turning point in an entire war.

This class will examine the evolution of castle defenses in the Middle Ages. Students will either work individually to create small towers and wooden motte-and-bailey forts or work cooperatively to recreate massive historical stone castles, like those of the Normans and French in Europe or the Crusaders in the Middle East. But what goes up, must come down, and students will build these dioramas to recreate castles under siege, completed with attacking forces and battle machines.

Using artistic model-making techniques, hand tools, and historical maps, students will each form a 10" X 14" shaped, foam diorama with landscape and architectural elements (hills, valleys, rivers, ridges, vegetation, stone walls, moats, towers, etc) to represent a medieval castle. Students will each receive 1:72 scale soldiers to populate their construction. Once individual projects are constructed, students will combine their dioramas alongside those of their classmates to approximate a larger fortress. Students will spend the remainder of the quarter learning about the tactics and outcomes of the military engagement while playing a table-top strategy game. Student strategists will use a simplified version of the Axis and Allies gaming rule system for moving troops and equipment. Along with their classmates, students will see how a battle against a castle might have progressed and test different outcome scenarios that might have occurred with different battlefield choices.

The instructor will use maps and visual presentations to explain the historical background and circumstances leading up to the specific battle. Course documents, such as period maps, game rules and all other instructional media will be available via a Google Drive link which will be emailed to parents. There is a $25.00 materials fee payable to the instructor on the first day of class.

This is a 4-day workshop.

The Second World War was a titanic struggle across the entire planet, but since our planet is 71% water, that means the battles took place in the oceans too. No empire could dominate the world without also controlling the seas, using massive, floating steel "castles" with the largest guns ever made, in concert with airplanes hunting targets from hundreds of miles away and deadly submarines beneath the waves. This class will use scale warships to re-enact the key naval battles of WWII as they happened, scouting vast trackless oceans to find the enemy fleet being found. In doing so, the class will learn about the technology and economic factors that allowed different nations' navies to operate and how those affected the outcome of the war from the immense shipyards of America to the submarine pens of Nazi occupied Europe.

Using artistic model-making techniques, hand tools, and historical maps, students will each form a 10" X 14" shaped, foam diorama with landscape to represent a scene of a famous historical engagement. Students will each receive scale miniature naval ships to populate their scene. Once individual projects are constructed, students will combine their dioramas alongside those of their classmates to approximate the larger battlefield terrain. Students will spend the remainder of the quarter learning about the tactics and outcomes of the military engagement while playing a table-top strategy game. Student strategists will use a simplified version of the Axis and Allies gaming rule system for moving troops and equipment. Along with their classmates, students will see how this battle progressed and test different outcome scenarios that might have occurred with different battlefield choices.

The instructor will use maps and visual presentations to explain the historical background and circumstances leading up to the specific battle. Course documents, such as period maps, game rules and all other instructional media will be available via a Google Drive link which will be emailed to parents. There is a $25.00 materials fee payable to the instructor on the first day of class.

This is a 4-day workshop.

The liberation of France from Nazi control began when 156,000 allied American, British and Canadian forces landed on five beaches along the heavily fortified coast of France's Normandy region. Code-named Operation Overlord, the invasion was the largest amphibious military assault in history. Between the American beaches of Omaha and Utah, was Pointe du Hoc. The battery of heavy artillery perched atop a massive cliff and aimed directly at the American beaches had to be neutralized at all costs to ensure the success of the invasion. The attackers would have to scale the 110 foot cliff under fire, fight through heavily fortified Axis defenses, destroy the guns, and then wait for relief from nearby Omaha beach. This mission could only be entrusted to the elite raiders of the US Army Rangers. This special force was trained to operate in small units, strike where the enemy did not think it possible, and operate behind enemy lines when necessary. For the Rangers, it was victory or certain death.

Using artistic model-making techniques, hand tools, and historical maps, students will each form a 10" X 14" shaped, foam diorama with landscape elements (hills, valleys, rivers, ridges, vegetation, airfields, etc) to represent a scene of a famous historical engagement. Students will each receive 1:72 scale miniature soldiers to populate their scene. Once individual projects are constructed, students will combine their dioramas alongside those of their classmates to approximate the larger battlefield terrain. Students will spend the remainder of the quarter learning about the tactics and outcomes of the military engagement while playing a table-top strategy game. Student strategists will use a simplified version of the Axis and Allies gaming rule system for moving troops and equipment. Along with their classmates, students will see how this battle progressed and test different outcome scenarios that might have occurred with different battlefield choices.

The instructor will use maps and visual presentations to explain the historical background and circumstances leading up to the specific battle. Course documents, such as period maps, game rules and all other instructional media will be available via a Google Drive link which will be emailed to parents. There is a $25.00 materials fee payable to the instructor on the first day of class.

This is a 4-day workshop.

Discover the world of robotics using kids' favorite, interlocking building bricks! Students will build and program whimsical, mechanized projects using the WeDo 2.0 robotics system by LEGO Education. In this workshop, young builders will build two droids: one that can scoop and shove soil, such as on the Martian surface, and one that can "walk" on wheels to explore a pretend planet.

Their robots will be built using special-shaped LEGO components from the WeDo Educational set, motors, motion sensors, tilt sensors and a programmable, Bluetooth control unit ("brain"). Students will use classroom tablets to program the control units using intuitive drag-and-drop coding modules. Prior experience with LEGO or coding is not required. All equipment is furnished.

Discover the world of robotics using kids' favorite, interlocking building bricks! Students will build and program whimsical, mechanized projects using the WeDo 2.0 robotics system by LEGO Education. In this workshop, young builders will merge modern technology with medieval times as they build a moving knight and a crushing catapult (if time permits).

Their robots will be built using special-shaped LEGO components from the WeDo Educational set, motors, motion sensors, tilt sensors and a programmable, Bluetooth control unit ("brain"). Students will use classroom tablets to program the control units using an intuitive drag-and-drop coding modules. Prior experience with LEGO or coding is not required. All equipment is furnished.

This intensive, "boot camp" style workshop includes the "Greatest Hits" of high school biology lab work and introduces students to the range of concepts in high school biology. Students will investigate the activity of enzymes, the cycling of carbon in mini-ecosystems, and the movement of molecules through semi-permeable membranes. Microscopy techniques will be employed to view bacteria, protist, fungi, plant, and animal cells, through both live, wet-mount samples and prepared specimen slides. Students will observe the observation of the movement of chromosomes during mitosis and extract DNA from foods. Participants will also visualize the complex processes of cellular respiration and photosynthesis using yeast and aquatic plants; investigate the genetics of taste; explore bacterial growth and evaluate disinfectant efficacy; and simulate evolution with origami birds before dissecting a frog and a sheep's brain.

This lab intensive is for high school students who are pursuing or who have recently completed a virtual or textbook-only high school biology course that did not include hands-on lab work. The course can also serve as a preview for high school students who will be taking a full course in high school biology in the fall of 2024. It is suitable for a student who had an incomplete course in biology and needs "a little extra" work to conclude the course, or any other high school student who enjoys laboratory work. Prior to beginning the workshop, students will receive a list of labs, principle topics, and corresponding videos to serve as a review or a pre-lab overview.

For safety reasons, Biology Lab has a dress code more restrictive than the general Compass dress code: (1) Long hair must be tied back (male or female); (2) Shirts must have at least short sleeves (such as a t-shirt). Tank tops and sleeveless shirts are not permitted. (3) Students must wear long pants. Shorts are not permitted. (4) Students must wear closed-toe shoes. Open toe sandals, slides, and flip-flops are not permitted. There is a $75.00 supply fee due payable to the instructor on or before the first day.

This is a five-day program.

This class will be taught in a Hybrid format with an online lecture on Mondays (10:00 am - 10:55 am) over a live, online platform and in-person lab and activities on Fridays (9:30 am - 10:55 am). Registration for the Lab section will automatically enroll the student in the Lecture section.

This full-year lab science course introduces classic biology topics updated for the 21st century. Biology studies living things and their relationships from microscopic to massive, ancient to modern, arctic to tropic. Our survey includes: (1) cellular and molecular biology, (2) ecology, (3) genetics, (4) biology of organisms (with selected human health and anatomy topics), and (5) evolution and diversity.

You will observe microscopic organisms and give monarch butterflies a health exam before tagging them for their 2,800 mile migration to Mexico. You will extract DNA, model its processes, and learn how scientists manipulate this magnificent molecule to make mice glow. You will observe animal behavior, test your heart rate, and practice identifying and debunking pseudo-science.

By the end of the course, students will be able to explain the nature of science as a system of knowing; cite evidence for foundational theories of modern biology; explain basic biological processes and functions; describe structures and relationships in living systems; outline systems of information, energy, and resources; demonstrate valid experimental design; discern ethical standards; relate their values and scientific ideas to decision-making; and apply biology knowledge to their own health.

Students are responsible for pre-reading and reviewing new material such as readings from the textbook and additional popular and scholarly sources, videos, and animations PRIOR to class meetings. In-person sessions focus on active discussion, clarification, exploration of content, review, modeling, and hands-on activities.

Labs address not only technical skills and sequential operations, but also forming testable predictions, collecting data, applying math, drawing conclusions, and presenting findings. Hands-on dissection, always optional, is taught with preserved crayfish and fetal pigs.

Sensitive issues: human reproduction is not taught separately, but mentioned as students learn about other, related topics such as sperm, eggs, stem cells, genetic disease, hormones, fetal development, breast-feeding, adolescence, and HIV. While there may be some debate-style discussion of topics such as GMO, abortion will not be debated. Birth control and sex education are not covered, but distinctions between gender and biological sex are discussed in detail in the genetics unit. Evolution is embedded in every topic, from molecular to ecological, inseparably from other content. It is addressed in a scientific context, not from a faith standpoint.

Levels: The course provides a substantive, full-credit experience on either an Honors or On-Level track. All class members share core material and participate in the same labs. Honors has longer or additional readings, more analytical work, and more thorough and difficult assessments. Brief, required summer assignments are due in August for those who elect to take Honors. Students register online for the same course, but must indicate which level they wish to study via e-mail by August 15. Students may move down a level (from Honors to On-Level) at any time.

Prerequisites: Students should be very strong, independent readers and able to understand graphs, tables, percentages, decimals, ratios, and averages.

Workload: All students should expect to spend 4-6 hours outside of class reading and preparing homework. Homework includes term cards, brief written responses, weekly online quizzes, unit tests, occasional lab reports, and some creative assignments including sketching. Students will sometimes prepare short, in-class presentations, participate in group projects, run simulations, or conduct simple experiments at home.

Assignments: All assignments will be posted on password-protected Canvas classroom management site. There, students access assignments; upload homework, take automated quizzes and tests; track grades; message instructor and classmates; and attend virtual conferences.

Assessments: Completed homework, projects, quizzes, and tests receive points and narrative feedback. Parents can calculate a letter grade using the student's points earned divided by points available, in weighted categories that include assignments, reading quizzes, tests, and participation and presentations. Parents may view all scoring and comments at any time through the Canvas site.

Textbook/Materials: Students must purchase or rent the textbook Biology Now: Third High School Edition (2022) published by WW Norton. A 360-day digital license directly from the publisher costs $53.00 HERE (ISBN: 978-0-393-54247-9) or $130 when bundled with a hardcover text (ISBN 978-0-393-54010-9). Used books may be available from 2022-23 students. Core textbook readings are supplemented by the instructor with updated information drawn from sources such as peer-reviewed science journals, popular science publications, and podcasts.

Lab/Supply Fee: A class fee of $130 is due payable to the instructor on the first day of class.

Supplies/Equipment: Students will need access to a computer/internet, compound microscope with 400X magnification and cool lighting, splash goggles, water-resistant/acid-resistant lab apron, kitchen or postal scale, 3-ring binder, approximately 400- 3"x5" index cards; and plain, lined, and graph paper. Some of these supplies are used at home. Weekly "Read Me First" web pages and class announcements on Canvas tell students what items to bring to class.

Credit: Homeschool families may wish to count this course as a full credit in Lab Science for purposes of a high school transcript.

This is a place-holder for the Principles of Biology lecture. Students should register for the Principles of Biology Lab, which will automatically enroll them in both class sections. A physical meeting room will be designated for on-campus students who have classes immediately before or after this virtual session.

This is a complete course in high school Calculus which will cover fundamental concepts and provide a solid foundation of mathematical literacy, problem solving, reasoning, and critical thinking skills that are necessary for the exploration of more advanced and rigorous topics in mathematics. Topics in Calculus include limits of functions (one-sided and two-sided limits, limits at infinity and infinite limits, limits of sequences, and continuity of functions), derivatives (various definitions of derivatives, estimating derivatives from tables and graphs, rules of differentiation, properties of derivatives, separable differential equations, and the Mean Value Theorem), applications of derivatives (related rates, optimization, and exponential growth and decay models), integrals (basic techniques of integration including basic antiderivatives and substitution), applications of integrals (in finding areas and volumes, describing motion, and as accumulation functions), and the Fundamental Theorem of Calculus. Students will explore these topics through class discussions, practice problems, and open-ended problem-solving.

Prerequisite: Students should have a solid foundation in PreCalculus in order to take this class.

Level: This course is offered at two levels, Honors and Advanced Placement (AP). The scope and sequence are identical, however AP students may have additional practice problems. Students who wish to take the AP exam must register and pay for their own exam through the College Board in fall 2024 for the May 2025 exam.

Workload: Students should expect to spend 1-1.5 hours per day on reading, review, and homework on most non-class days. Homework assignments will run on a 7-day cycle, with assignments posted on Thursdays and due the following Thursday. Students are advised to start homework once it is assigned (i.e., not wait until the night before it is due). Weekly homework assignments will be of a length that a student should be able to complete them in two or three at-home work sessions. Solutions will be provided for some homework problems, but students are expected to show all steps of their work.

Assignments: The Canvas online class management system will be used to post assignments and scores. Students should have their own e-mail address in order to be set up as users of the Canvas system. Parents can also be set up as Canvas guests/observers for purposes of tracking the student's progress and workload.

Assessments: Student progress will be assessed by: (1) The instructor checking that weekly homework sets are attempted and complete and (2) detailed grading of periodic take-home tests. Parents will be able to view accumulated points awarded in the class for the purpose of determining a parent-awarded course grade. See the instructor's webpage for detailed homework and test policy, including late work and re-work.

Textbook: Students should purchase or rent the required textbook for this class: Calculus: Single Variable/Early Transcendentals, 8th edition by James Stewart (ISBN-13 9781305270336). A scientific calculator similar to the Casio fx-115ES PLUS is required for this class, and it is highly recommended that students preparing for the AP exam have a graphing calculator similar to the TI-83. Students without a graphing calculator must have access to desmos.com and/or wolframalpha.com for graphing assignments.

Credit: Homeschool families may wish to count this course as a complete credit in Calculus for purposes of a high school transcript.

If you like to "Turn Up the Music" (Chris Brown, 2012), "Play That Funky Music" (Wild Cherry, 1976), or "Dance to The Music" (Sly and The Family Stone, 1967), then you know that there is an impressive variety of American music. America is the birthplace of some of the most influential genres of music and musicians in the world. Much of the world's modern music has roots in American blues, jazz, or rock, while American music has elements from West Africa, the West Indies, and diverse communities such as New Orleans, Detroit, Memphis, St. Louis, Nashville, Seattle, San Francisco, Los Angeles, and the Bronx. American music has influenced behavior and culture such as dance, entertainment, fashion, technology, popular opinion, lexicon, marketing, and more.

This is a focused class in music appreciation for students who enjoy listening to or playing music. The class will evaluate a century of American music by listening to and discussing influential performers, writers, and producers. Students will learn to identify music elements unique to each genre- melody, rhythm, harmony- and will develop a musical vocabulary to help them think and talk about musical works. They will also explore innovations in instruments and technologies that evolved with the music, such as drums being placed in a "set" at the advent of jazz music, the rise of electric instruments, and electronic production/mixing.

First semester will explore music from the 1920s to the 1960s encompassing the genres of blues, ragtime, jazz, boogie-woogie, swing, soul, rhythm and blues, rock-and-roll, Motown, pop, funk, disco. Featured artists will include Louis Armstrong, Miles Davis, Marvin Gaye, Chuck Berry, Elvis, James Brown, Bob Dylan, Joni Mitchell, Simon and Garfunkel, Fleetwood Mack, Robert Johnson, Scott Joplin, John McLaughlin, and many others. Find out why the Rolling Stones and the Beatles claim they were influenced by Little Richard, and why the Rock and Roll Hall of Fame described Jimi Hendrix as "arguably the greatest instrumentalist in the history of rock music."

Like other fine arts classes, music appreciation is a fun break from academics which enriches and engages students in a topic they enjoy. Genres that will not be highlighted in this course include gospel, folk, country, western, tejano, reggae, zydeco, or salsa.

Topics in this Series: 19202-1960s (Semester 1), 1970s-2020s (Semester 2), etc. Students continuing from first semester receive priority pre-registration for second semester.

If you like to "Turn Up the Music" (Chris Brown, 2012), "Play That Funky Music" (Wild Cherry, 1976), or "Dance to The Music" (Sly & The Family Stone, 1967), then you know that there is an impressive variety of American music. America is the birthplace of some of the most influential genres of music and musicians in the world. Much of the world's modern music has roots in American blues, jazz, or rock, while American music has elements from West Africa, the West Indies, and diverse communities such as New Orleans, Detroit, Memphis, St. Louis, Nashville, Seattle, San Francisco, Los Angeles, and the Bronx. American music has influenced behavior and culture such as dance, entertainment, fashion, technology, popular opinion, lexicon, marketing, and more.

This is a focused class in music appreciation for students who enjoy listening to or playing music. The class will evaluate a century of American music by listening to and discussing influential performers, writers, and producers. Students will learn to identify music elements unique to each genre- melody, rhythm, harmony- and will develop a musical vocabulary to help them think and talk about musical works. They will also explore innovations in instruments and technologies that evolved with the music, such as drums being placed in a "set" at the advent of jazz music, the rise of electric instruments, and electronic production/mixing.

Second semester will explore music from the 1970s to the present encompassing the genres of post-pop, heavy metal, hip hop, rap, grunge, punk rock, new age, alternative rock, Indie rock, post-punk and new fusion. Featured artists will include Michael Jackson, Prince, Van Halen, Nirvana, Metallica, Snoop Dog, Elise Trouw, Domi, Jacob Collier, Gunna, Pop Smoke, Esperanza Spalding, and more. Discover why Kurt Cobain was influenced by the Pixies, how Taylor Swift channels Joni Mitchell, and Lady Gaga's music resembles that of Madonna. Find out why Rolling Stone Magazine declared that without "Soul Queen" Aretha Franklin, there would be no Beyonce, Whitney Houston, or Adele.

Like other fine arts classes, music appreciation is a fun break from academics which enriches and engages students in a topic they enjoy. Genres that will not be highlighted in this course include gospel, folk, country, western, tejano, reggae, zydeco, or salsa.

Topics in this Series: 19202-1960s (Semester 1), 1970s-2020s (Semester 2), etc. Students continuing from first semester receive priority pre-registration for second semester.

This intensive, "boot camp" style workshop includes the "Greatest Hits" of high school chemistry lab work and introduces students to the range of concepts in high school chemistry. Students will conduct experiments demonstrating the five types of chemical reactions (single-displacement, double-displacement, synthesis, decomposition, and combustion.) They will test the physical and chemical separation of compounds, acid-base chemistry, the gas laws, oxidation-reduction, and colligative properties. Finally, participants will experiment with the properties of solutions with flame tests, electrical conductivity, and the Tyndall Effect.

This lab intensive is for high school students who are pursuing or who have recently completed a virtual or textbook-only high school chemistry course that did not include hands-on lab work. The course can also serve as a preview for high school students who will be taking a full course in high school chemistry in the fall of 2024. It is suitable for a student who had an incomplete course in chemistry and needs "a little extra" work to conclude the course, or any other high school student who enjoys laboratory work. Prior to beginning the workshop, students will receive a list of labs, principle topics, and corresponding videos to serve as a review or a pre-lab overview.

For safety reasons, Chemistry Lab has a dress code more restrictive than the general Compass dress code: (1) Long hair must be tied back (male or female); (2) Shirts must have at least short sleeves (such as a t-shirt). Tank tops and sleeveless shirts are not permitted. (3) Students must wear long pants. Shorts are not permitted. (4) Students must wear closed-toe shoes. Open toe sandals, slides, and flip-flops are not permitted. There is a $75.00 supply fee due payable to the instructor on or before the first day.

This is a five-day program.

This class has an in-person lecture on Tuesdays (10:00 am - 10:55 am) and in-person lab and activities on Fridays (9:30 am - 10:55 am). Students must take lecture and lab together. Registration for the Lab section will automatically enroll the student in the Lecture section.

Through the study of chemistry, high school students will learn the science behind things they observe every day! Chemistry explains properties of the food we eat, the beverages we drink, the medicines we take, the fibers we wear, and fuels in the cars we drive. Chemistry is a foundation to understanding the world around us and fundamental to other sciences such as biology, physics, geology, and environmental science.

This full-year laboratory course makes chemistry come alive through at-home readings, practice problems, supplementary activities, and in-person hands-on labs to demonstrate key concepts. Course themes include matter, changes in state, scientific measurement, atomic structure, electrons in atoms, and characteristics of the periodic table. Students will then study ionic, metallic, and covalent bonding, chemical names and formulas, and chemical reactions. Further chemistry topics include the behavior of gases, water and aqueous solutions, acids, bases, and salts; oxidation-reduction reactions, solutions, and thermochemistry.

Students will learn the skills necessary for successful study of chemical reactions and molecular phenomena, using common high school laboratory chemicals, glassware, and techniques. This is not a course done in microscale using pre-mixed solutions: students will learn to calculate molarity and use dimensional analysis to mix solutions, calculate yields, analyze errors, and construct graphs. Example labs include experiments in molar mass, hydrates, precipitates, filtration, density, distillation, reactants, single and double displacement, acid/base titration, polymers, heat of fusion, heat of vaporization, and stoichiometry. Class demonstrations will model other chemical concepts and processes, such as a radioactive cloud chamber.

Prerequisites: High school Algebra I

Levels: This course provides a substantive, full-credit experience on either an on-level or honors track. All class members complete the same core material and participate in the same labs. Students taking the course at the honors level are generally on a college prep or STEM track and have additional assignments and alternative scoring. Honors students' homework will be graded and recorded as part of the students' total earned points. On-level students' homework will be corrected and graded, but not factored into their total earned points. Students must identify their level prior to the start of class. At any point in the year, a student may transition from honors to on-level if the workload exceeds the students' expectations. In addition, at the parents' discretion, students may take this course as an "audit" in which they still read chapters, attend lectures, participate in labs, but do not do problem sets or laboratory reports. This approach provides an experiential and conceptual overview of chemistry, but should not be counted as a full year credit.

Workload: All students should expect to spend 2-3 hours per week outside of class on pre-reading and lab reports. Honors students can expect an additional 1-2 hours on weekly problem sets. Pre-reading and pre-lab work is required so in-person class time can be spent on highlights, class discussion, homework review, and labs. In addition, most weeks students should plan for additional meeting time and coordination with their lab partners in-person, by phone, shared documents, or via virtual meeting. Students will also be required to read one scientific, non-fiction book or current events article each quarter and prepare a 2-page summary and response book report.

Assignments: All assignments will be posted on password-protected Canvas classroom management site. There, students access assignments, upload homework, take automated quizzes and tests, track grades, and message instructor and classmates. Parents can have an observer account in Canvas to review assignments and graded work. Students will have weekly readings and mandatory pre-lab assignments. The pre-lab assignment must be completed prior to lab and will serve as the student's "ticket" into the lab session each week.

Assessments: Students will earn points for completed homework, unit tests, lab reports, book reports, and semester exams. Parents can calculate a letter grade using the student's points earned divided by points available. Parents may view all scoring and comments at any time through the Canvas site.

Textbook/Materials: Students should purchase or rent Prentice Hall Chemistry by Wilbraham, Staley, et. al. 2008 edition (ISBN #978-0132512107).

Lab/Supply Fee: A class fee of $125 is due payable to the instructor on the first day of class for a composition notebook, graph paper, lab equipment and supplies, and safety supplies.

What to Bring: Students should bring a paper or a notebook, pen or pencil, and a scientific calculator each week.

What to Wear: Students should not wear any loose, drapey clothing to lab. They should also come to class with long hair tied back and should wear closed toe shoes.

Credit: Homeschool families may wish to count this course as a full credit in Lab Science for purposes of a high school transcript.

This is a place-holder for the Chemistry lecture. Students should register for the Chemistry Lab, which will automatically enroll them in both class sections.

Teens will enjoy the logic and challenge of the timeless strategy board game as they learn and play chess with classmates. This is a multi-level class open to Beginners, Advanced Beginners, or Intermediate Players. Instruction will be differentiated based on the make-up of the class, and teens will be placed in pairs or groups depending on experience. Since teens move quickly through lessons and enjoy the interaction of the game, instruction will be approximately 20 minutes, with 35 minutes reserved for weekly in-class matches that are monitored and supported by the coach. Beginners may play as a group against the instructor which is a low-pressure way to learn the game. Teens who are engrossed in their games may continue their play into Friday Teen Game Night.

Learning and playing chess supports problem solving, decision making, critical and creative thinking, general cognitive ability, scholastic skills, and mathematical achievement (Univ. of Minnesota). Experts suggest that the game of chess teaches analytical and disciplined thinking skills, while raising self esteem, teaching motivation and determination, and sportsmanship (Kasparov Foundation).

Credit: Homeschool families may wish to count this course as a component (partial) credit in logic/reasoning or and elective for purposes of a high school transcript.

Teens will enjoy the logic and challenge of the timeless strategy board game as they learn and play chess with classmates. This is a multi-level class open to Beginners, Advanced Beginners, or Intermediate Players. Instruction will be differentiated based on the make-up of the class, and teens will be placed in pairs or groups depending on experience. Since teens move quickly through lessons and enjoy the interaction of the game, instruction will be approximately 20 minutes, with 35 minutes reserved for weekly in-class matches that are monitored and supported by the coach. Beginners may play as a group against the instructor which is a low-pressure way to learn the game. Teens who are engrossed in their games may continue their play into Friday Teen Game Night.

Learning and playing chess supports problem solving, decision making, critical and creative thinking, general cognitive ability, scholastic skills, and mathematical achievement (Univ. of Minnesota). Experts suggest that the game of chess teaches analytical and disciplined thinking skills, while raising self esteem, teaching motivation and determination, and sportsmanship (Kasparov Foundation).

Credit: Homeschool families may wish to count this course as a component (partial) credit in logic/reasoning or and elective for purposes of a high school transcript.

Teens will enjoy the logic and challenge of the timeless strategy board game as they learn and play chess with classmates. This is a multi-level class open to Beginners, Advanced Beginners, or Intermediate Players. Instruction will be differentiated based on the make-up of the class, and teens will be placed in pairs or groups depending on experience. Since teens move quickly through lessons and enjoy the interaction of the game, instruction will be approximately 20 minutes, with 35 minutes reserved for weekly in-class matches that are monitored and supported by the coach. Beginners may play as a group against the instructor which is a low-pressure way to learn the game. Teens who are engrossed in their games may continue their play into Friday Teen Game Night.

Learning and playing chess supports problem solving, decision making, critical and creative thinking, general cognitive ability, scholastic skills, and mathematical achievement (Univ. of Minnesota). Experts suggest that the game of chess teaches analytical and disciplined thinking skills, while raising self esteem, teaching motivation and determination, and sportsmanship (Kasparov Foundation).

Credit: Homeschool families may wish to count this course as a component (partial) credit in logic/reasoning or and elective for purposes of a high school transcript.

Teens will enjoy the logic and challenge of the timeless strategy board game as they learn and play chess with classmates. This is a multi-level class open to Beginners, Advanced Beginners, or Intermediate Players. Instruction will be differentiated based on the make-up of the class, and teens will be placed in pairs or groups depending on experience. Since teens move quickly through lessons and enjoy the interaction of the game, instruction will be approximately 20 minutes, with 35 minutes reserved for weekly in-class matches that are monitored and supported by the coach. Beginners may play as a group against the instructor which is a low-pressure way to learn the game. Teens who are engrossed in their games may continue their play into Friday Teen Game Night.

Learning and playing chess supports problem solving, decision making, critical and creative thinking, general cognitive ability, scholastic skills, and mathematical achievement (Univ. of Minnesota). Experts suggest that the game of chess teaches analytical and disciplined thinking skills, while raising self esteem, teaching motivation and determination, and sportsmanship (Kasparov Foundation).

Credit: Homeschool families may wish to count this course as a component (partial) credit in logic/reasoning or and elective for purposes of a high school transcript.

Children will enjoy the camaraderie and cooperation of making music together with others in a beginning school band! They will be introduced to brass and woodwind instruments using child-sized plastic instruments from Nuvo. These instruments offer the same fingering, hand positions, embouchure (mouth position and blowing technique) and reeds as their full-sized metal and wood counterparts in a range of fun, lively colors. Parents should purchase the Nuvo Toot for a child wanting to learn flute or the Nuvo Dood for a child wanting to learn a single reed instrument like the clarinet or saxophone. The Nuvo instruments cost approximately $30.00 and are considered a "step up" from a traditional plastic recorder with silicone keys, accurate mouthpieces, and a 1.5 octave range in the 'C' key. Students will learn to read music and play as a group. The Children's Beginner Band will get students ready to join the Compass Homeschool Concert Band as 4th graders. Student may join the Children's Band at any quarter and may continue from one quarter to the next as the instructor continues to introduce new songs and skills.

Children will enjoy the camaraderie and cooperation of making music together with others in a beginning school band! They will be introduced to brass and woodwind instruments using child-sized plastic instruments from Nuvo. These instruments offer the same fingering, hand positions, embouchure (mouth position and blowing technique) and reeds as their full-sized metal and wood counterparts in a range of fun, lively colors. Parents should purchase the Nuvo Toot for a child wanting to learn flute or the Nuvo Dood for a child wanting to learn a single reed instrument like the clarinet or saxophone. The Nuvo instruments cost approximately $30.00 and are considered a "step up" from a traditional plastic recorder with silicone keys, accurate mouthpieces, and a 1.5 octave range in the 'C' key. Students will learn to read music and play as a group. The Children's Beginner Band will get students ready to join the Compass Homeschool Concert Band as 4th graders. Student may join the Children's Band at any quarter and may continue from one quarter to the next as the instructor continues to introduce new songs and skills.

Children will enjoy the camaraderie and cooperation of making music together with others in a beginning school band! They will be introduced to brass and woodwind instruments using child-sized plastic instruments from Nuvo. These instruments offer the same fingering, hand positions, embouchure (mouth position and blowing technique) and reeds as their full-sized metal and wood counterparts in a range of fun, lively colors. Parents should purchase the Nuvo Toot for a child wanting to learn flute or the Nuvo Dood for a child wanting to learn a single reed instrument like the clarinet or saxophone. The Nuvo instruments cost approximately $30.00 and are considered a "step up" from a traditional plastic recorder with silicone keys, accurate mouthpieces, and a 1.5 octave range in the 'C' key. Students will learn to read music and play as a group. The Children's Beginner Band will get students ready to join the Compass Homeschool Concert Band as 4th graders. Student may join the Children's Band at any quarter and may continue from one quarter to the next as the instructor continues to introduce new songs and skills.

Children will enjoy the camaraderie and cooperation of making music together with others in a beginning school band! They will be introduced to brass and woodwind instruments using child-sized plastic instruments from Nuvo. These instruments offer the same fingering, hand positions, embouchure (mouth position and blowing technique) and reeds as their full-sized metal and wood counterparts in a range of fun, lively colors. Parents should purchase the Nuvo Toot for a child wanting to learn flute or the Nuvo Dood for a child wanting to learn a single reed instrument like the clarinet or saxophone. The Nuvo instruments cost approximately $30.00 and are considered a "step up" from a traditional plastic recorder with silicone keys, accurate mouthpieces, and a 1.5 octave range in the 'C' key. Students will learn to read music and play as a group. The Children's Beginner Band will get students ready to join the Compass Homeschool Concert Band as 4th graders. Student may join the Children's Band at any quarter and may continue from one quarter to the next as the instructor continues to introduce new songs and skills.

Close, confusing, and sometimes controversial presidential elections are not unique in American History, and 2024 is shaping up to be yet another contentious and convoluted race to the White House. This is a discussion and current events-based class that will split each class meeting to look at both a historic election and the week's developments and drama in the 2024 election. The class will examine ten of these contests with the first occurring in 1800 and the most recent in 2008 and 2020. Discussions will track drama on the campaign trail, after the 2024 summer conventions and throughout the fall campaign season, in what is a political rarity: a presidential re-match.

Join former college professor Dr. John Kornacki for this discussion-based class, where students will look more closely on why these contests were so close, and in some cases, disputed. Students will take a deep dive into the political, economic, and cultural context of these elections and study their lingering impacts on the current and future elections.

Prerequisites: Reading at a high school level.

Workload: Students should expect to spend 1-2 hours per week outside of class.

Assignments: Students will be asked a write a 1-page reflection paper every other week (6 in the semester). Assignments and supplemental reading will be posted in a Google classroom.

Assessments: Feedback will given on the reflection paper and class participation.

Textbook/Materials: Supplemental readings will be posted in a Google classroom as downloaded pdfs or links to online articles.

Non-Meeting Days: In addition to the scheduled days-off on the published Compass schedule, this class does not meet on 9/9/24

Credit: Homeschool families may wish to count this course as a component (partial) credit in American Government, Civics, or Current Events for purposes of a high school transcript.

Imagine a phone app that could quickly reunite lost pets, connect the poor with resources that they need, or report a problem in the community! Code for a Cause is the Compass-based Technovation hub where middle school and high school girls will participate in the "world's largest technology entrepreneurship program for girls." Each year, Technovation teams solve real world problems through technology that they develop!

Through Technovation, girls work with women mentors, identify a problem in their community, develop a mobile app, and launch a startup. Since 2010, 140,000 girls around the world have developed mobile apps and small businesses to solve problems ranging from food waste and nutrition to women's safety, education, and much more. In this year-long program, girls will work in teams and learn the skills they need to change the world through technology.

First semester, the class will participate in team building activities and will be introduced to coding. Students will use Ozaria from Code Combat, a Python-based platform that applies stories and a gamified approach to teach the logic of coding and terminology. Once students understand these fundamentals, they will evaluate (pros and cons) and select their preferred block-based coding tool from either Thunkable or MIT's App Inventor.

Second semester, students will form teams of 2-3 girls who will brainstorm and identify a community problem. They will propose a mobile app or AI solution to the issue and conduct market research to see if their idea is unique and feasible. Next, the team will begin developing an app following the Technovation curriculum. In class, girls will be coached step-by-step on the process of creating an interactive application. Finally, girls will learn how to brand their app, create a business plan, and look at what it would take to bring the app to market.

The weekly Technovation work sessions will be facilitated by an experienced Technovation coach and cybersecurity engineering student at GMU. She will be supported by remote advisor, Almira Roldan, Sr. Technical Program Manager, AWS Machine Learning University and CEO, UnDesto AI Agency. Ms Roldan will assist through mentoring and scheduling guest presenters who will speak to the Compass teams about topics relevant to their phase of app development such as user experience and market research.

Participation in Technovation gives girls the confidence to pursue more computer science courses (70%) and the foundation to eventually major in computer science (26%). Technovation teams are in 100 countries, and the program is sponsored by Oracle, Google, 3M, Adobe Foundation, and others.

Level:All students will meet together, but student teams will either Junior or Senior division depending the ages of the team members as of August 1, 2025: Junior Division is for girls ages 13-15, and Senior Division is for girls ages 16-18. In addition to the app and competition document, the Junior division has an additional submission of a User Adoption Plan. The Senior division has an additional submission of a Business Plan.

Workload: Students should expect to spend 1-2 hours per week outside of class.

Assignments: Will be posted on a Google classroom site for students, and key reminders will be emailed to parents.

Assessments: Students will receive informal feedback throughout the project.

Lab/Supply Fee: A software fee of $30.00 is due payable to Compass on the first day of class.

What to Bring: For this class, students should bring their laptop and charger. Chromebooks cannot be used.

Non-Meeting Days: In addition to the scheduled days-off on the published Compass schedule, this class ends on 5/2/25 and will have two (2) other dates off to be announced.

Credit: Homeschool families may wish to count this course as a full credit in Technology or Career Exploration for purposes of a high school transcript.

Teens will learn to make simple, budget-friendly foods to feed themselves. These recipes are perfect for college students who have only a microwave or for teens preparing quick meals at home. Some even have ingredients that can be taken from campus dining halls and transformed. Recipes are selected to be nutritious, fun, and simple to make. The Compass chefs' culinary adventures will include:

• Homemade Pizza
• Elevated Raman Noodles
• Rice Pilaf
• Loaded Baked Potato
• Cinnamon Rolls
• Baked Banana Blueberry Oatmeal

This engaging cooking workshop will get students excited about helping in the kitchen, experimenting, and trying new foods. Students will be introduced to ingredients and flavors they may not regularly eat. They will discover the joy of cooking while practicing skills that range from math (volume, weight, unit conversion, fractions, decimals), reading (instructions, ingredients), geography (traditions, flavors, food sources), and science (nutrition, food chemistry), and life skills. They will also learn important kitchen skills such as safety, sanitation, knife skills, and other tricks of the trade. Culinary vocabulary and terms are introduced in class, and recipes are provided online for enrolled students to prepare their new foods at home.

Notes: Recipes may contain nuts, dairy, wheat, gluten, eggs, soy, etc. All food supplies will be conventional, mass market ingredients. Recipes cannot be adapted to students with food allergies or dietary restrictions. Specialty food preparations/certifications such as halal, kosher, and organic will not be used due to cost and sourcing logistics.

Lab/Supply Fee: A supply fee of $36.00 is due payable to the instructor on the first day of class.

What to Bring: None- Disposable aprons and take-home containers provided.

What to Wear: Students should wear clean clothes, closed-toe shoes, and have long hair tied back, braided, or secured under a bandana (male and female). For more information and FAQs, see the Compass Cooking Classes webpage.

This is a 2-day program.

Teens will learn to make simple, budget-friendly foods to feed themselves. These recipes are perfect for college students who have only dorm room toaster oven or first apartment or for teens preparing quick meals at home. Some even have ingredients that can be taken from campus dining halls and transformed. Recipes are selected to be nutritious, fun, and simple to make. The Compass chefs' culinary adventures will include:

• Frugal Fried Rice
• Burrito Bowls (+ 4 component recipes: Corn Salsa, Tomato Salsa, Carnitas, and Cilantro Lime Rice)
• Pasta Pumpkin Alfredo
• Cheese Pizza with Homemade Tomato Sauce
• Chicken Parmesan

This engaging cooking workshop will get students excited about helping in the kitchen, experimenting, and trying new foods. Students will be introduced to ingredients and flavors they may not regularly eat. They will discover the joy of cooking while practicing skills that range from math (volume, weight, unit conversion, fractions, decimals), reading (instructions, ingredients), geography (traditions, flavors, food sources), and science (nutrition, food chemistry), and life skills. They will also learn important kitchen skills such as safety, sanitation, knife skills, and other tricks of the trade. Culinary vocabulary and terms are introduced in class, and recipes are provided online for enrolled students to prepare their new foods at home.

Notes: Recipes may contain nuts, dairy, wheat, gluten, eggs, soy, etc. All food supplies will be conventional, mass market ingredients. Recipes cannot be adapted to students with food allergies or dietary restrictions. Specialty food preparations/certifications such as halal, kosher, and organic will not be used due to cost and sourcing logistics.

Lab/Supply Fee: A supply fee of $36.00 is due payable to the instructor on the first day of class.

What to Bring: None- Disposable aprons and take-home containers provided.

What to Wear: Students should wear clean clothes, closed-toe shoes, and have long hair tied back, braided, or secured under a bandana (male and female). For more information and FAQs, see the Compass Cooking Classes webpage.

This is a 2-day program.

Dissection! The critical lab skill that schools skip and parents hate hosting at home. This lab can be paired with any independent study or online course in high school biology or anatomy in order to gain significant hands-on experience or to complete a lab science credit.

Students will investigate the comparative anatomy of a variety of organisms and organs through a year-long dissection study. Class time will be primarily devoted to hands-on exploration with important background information posted in Canvas as slide presentations. Students will begin with an exploration of organisms from a range of phyla, in order of increasing complexity: prokarya, simple eukarya, nematode, sponge, mussel or clam, jellyfish, starfish, earthworm, squid or octopus, crayfish, grasshopper, perch, dogfish shark, frog, owl pellets (for small mammal remains), and fetal pig. The complex organ systems of vertebrates will then be systematically explored, dissecting a critical organ for each system. Where appropriate, organs of multiple species will be used to allow comparison between vertebrates: the circulatory system (pig heart), nervous system (sheep brain), excretory system (pig kidney), sensory system (cow/sheep/pig eyeballs), and musculoskeletal system (chicken wings and cow femur). Students will also use microscopes to look at wet (i.e. fresh or live) and dry mount (i.e. prepared) organism and tissue samples throughout the year.

The class will cover lab safety, practice proper dissection techniques, and how to set up and maintain a lab journal with notes and drawings of organs and organisms. Students will have a pre-lab activity (lecture slides, video, and/or packet) to complete each week as "admission" to the following session's dissection.

Prerequisites: Students must have age/grade-level dexterity and fine motor skills for the detailed instrument work in this class.

Workload: Students should expect to spend 1 hour per week outside of class.

Assignments: All assignments will be posted on password-protected Canvas classroom management site. There, students access assignments, upload homework, take automated quizzes and tests, and track grades.

Assessments: Will not be given

Textbook/Materials: Students should purchase The Anatomy Coloring Book (ISBN-13 : 978-0321832016)